When I was a nineteen-year-old high school student and budding poet – two years after my diving accident – many factors adversely affected my creativity. My trips in a special bus to school and back home, my courses, and my assignments, though I was spared a lot of writing and was mostly tested orally, all this was time-consuming. More often than not, my obligation to study took priority over my desire to compose poetry.

To tell the truth, I had plenty of free time. That I spent much of it uncreatively showed evidence of frivolousness, laziness, and cowardliness. I usually preferred to take my mind off things, or to daydream, rather than to express myself through poems. The satisfaction I could derive from achieving this expression seldom induced me to try. The deterring elements were the difficulty of trying and the uncertainty surrounding the outcome of my efforts.

A poem – assuming one is concerned about writing beautifully – is indeed no cinch. It requires a poet who is talented, skilled, and determined. My poetic ability was fickle; my grammar and style were faulty; my will was faint. I lacked the courage of my creative desire. This lack was not absolute. Now and then, when I felt compellingly inspired, I resisted my temptation to trifle – which amounted to taking the easy way out – and endeavored to compose a poem. I had to repeat this endeavor, over and over, to grow more capable and confident, less discouraged by the challenge at hand.

I am afraid young individuals similar to the young man I was then are not a rarity. The prospect of success turns them on; effort and the risk of failure turn them off. The contradiction is apparent, and the result predictable: Since effort and the risk of failure are essential for success, the avoidance of them precludes this success. Of course everyone knows this. The trouble is that many refuse largely to accept it. This is proof that knowledge is powerless in itself; it needs a strong will to be effective.

Young individuals, who know the rules of success, can be failures inasmuch as they fail to accept these rules. Wisdom includes this acceptance (the exclusion of which is thus foolish). It must be distinguished from knowledge. Wise people are also brave people who put their knowledge into practice and become successful for that reason. The obvious holds good in every way: Life without courage is like a bird without wings; it cannot take off.

Why is it hard to want both the end and the means? Precisely because the means are hard, not to mention the fact that they are hazardous, you might answer. If you are right, then why do some actually thrive on this hardness and hazardousness? The key to this mystery is their attitude: They regard these opposing elements not only as obstacles but also as opportunities for merit and excitement. Just as they were young once, spoon-fed and sheltered from the evils of the world, they eventually outgrew their attachment to easiness and developed a taste for challenge. In conclusion, what characterizes them is their maturity, by contrast with the infantilism of others.

Between these two extremes there is a mediocre compromise, partly mature, partly infantile. It consists in taking charge of one’s life while taking the easy way out. Small principles, small realizations, far below one’s potential for greatness, they are poor excuses for wisdom and success. Potential, that is the operative word. There can be greatness in apparent smallness and smallness in apparent greatness; the truth resides in the great or small actualization of one’s potential, whatever it is.
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Whether in movies or books or in life, it is human nature to be curious about “what happens next”, what the future holds in store. Because of this curiosity divination methods were developed, some even centuries old. There are several tools and ways to divine the future. Forms popularized by gypsies (as related in tales) are crystal (ball) gazing, tarot card reading, palmistry, tea leaves, bones, etc.

Divination is anything but an exact art or science. People who have the gift of divination are often called fortune tellers. This is actual a mislabel, because it really isn’t fortune that the diviner sees but possibilities of a person’s future live, love, finances, etc. All these based on decisions that a person makes now. In the Filipino language, diviners are called manghuhula which literally translates to “guessers”. Essentially, this means that fortune tellers are supposedly just guessing. Amazingly, their guesses hit the mark often enough that divination became a thriving business.

Despite its many forms, the one that appears to be most trusted is astrology. There are different types of astrology but the ones most popularly known are the Chinese astrology (one of the oldest divination techniques created centuries ago) and the western astrology (created by Babylonian astronomers).
Chinese Astrological signs change on an annual basis, based on the cycles of the moon. Hence, their year starts with the first full moon of the year. The Chinese zodiac is based on 12 animals. Your animal is based on the year of your birth. The twelve animal signs are: rat, ox, tiger, rabbit, dragon, snake, horse, sheep, monkey, rooster, dog, and boar.

The zodiac that people are more familiar with is the one that changes by the month. Depending on your birth date you could fall under the sign of Aquarius, Pisces, Aries, Taurus, Gemini, cancer, Leo, Virgo, Libra, Scorpio, Sagittarius, or Capricorn.
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